I’m not saying the worst, otherwise I would need to include the star wars sequels or transformers movies… Just some really dumb movie that somehow got praised.
For me has to be Ready Player One. That movie message is so “uhuh” obvious that is stupid, the whole nerd that saves the world in a thing that otherwise would be useless to know in real life… The so over the top evil gaming corporation. The whole 80s and 90s movies and games references get old after half an hour… And it’s so pandering towards the geeks and nerds, they really want the viewer feeling really cool for knowing that is the Shining hallway, or that is a Monty python reference… Or look a GUNDAM! YOU’RE SO COOL FOR COLLECTING THOSE GUN PLA! Look we have also overwatch and halo in the background! You’re so cool modern gamer!
Also the obviously attractive “nerd” hacker girl that thinks she’s ugly and deformed for having a small hard to see red tint in one side of her pretty face… Cmon man. In no universe anyone would think that actress is ugly.
And the message at the end is so hilarious: Look man, you’re cool for getting these references and being a real gamer is cool, but go outside more!
Is like the creators have no self awareness.
For me, it was A Quiet Place. I found it incredibly dumb and impossible to believe that nobody on the whole of the planet ever considered that these aliens with ultra incredible hearing weren’t somehow vulnerable to noise? Just dumb as fuck, especially when you consider that sonic weapons already exist and are used, and sound is routinely used in torture/incarceration scenarios.
Iirc, cochlear implants don’t actually produce sounds, but an electro static (?) feedback. So the aliens aren’t actually vulnerable to sounds but to that.
The movie probably could have explained that better
I actually don’t mind the premises behind the Death Angels, but the reasoning is pretty weak behind them. They could be defeated easily and the cast would not survive outside of the film’s sound design. The rest is just shit occurring for the point of the movie to exist, and its told pretty damn well.
And then they made a sequel. And now a prequel. This didn’t need to be a franchise.
Also the solution is guns.
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The Purge. They’re all dumb as fuck. “No lawz fur wun day. Halps soseyetti.”
Yeah no, trust in the government would break the floor and anarchy would reign instead. Not to mention businesses would probably refuse to operate here.
Don’t get me stated on how fucking dumb it is that everyone everywhere just immediately turns to murder. Crime isn’t something I have a problem with, so when I say I’ve never committed a murder it’s not because the pesky laws are stopping me. I just genuinely don’t see the need to kill someone. But no, everyone and their mom is going full zodiac all day all night if it went for laws!
That’s a plot point in the prequel one (I’ve only seen the first one, though) and from one of the trailers I remember seeing, during the very first Purge people were just throwing huge parties and getting all kinds of fucked up, and the people on charge were disappointed because they just wanted people to kill each other.
It was posed as some sort of secret government conspiracy to keep the population/minorities/what have you “in check.”
That just sounds like a saturnalia
I would say most people would just do nothing and the rest would go buy drugs
I would be boosting high dollar items and parking them in my yard.
I love The Purge, especially election day. They really hit that sweet spot between exploitative horror and substantive political commentary.
Which is what the best B movies do.
Seriously, it’s always been the dumbest fucking premise of all time.
Are these highly praised? I thought they were at best considered fine examples of a genre that’s looked down upon.
Chaos, not anarchy!
I worked on the space shuttle program, and I found Armageddon almost unwatchable. I mean, those things go up with the big solid rockets and an external tank full of hydrogen and oxygen, all of which get jettisoned during launch, then they come down as a glider. But in the movie they’re landing on asteroids and taking off again, smashing into things and still flying, etc. (remember how Columbia blew up because of a crack in the leading edge of one wing?). Plus the whole premise of it being easier to teach oil drillers how to be astronauts than to teach astronauts how to be oil drillers is a joke. Every astronaut I’ve met has been an amazing capable person - many are test pilots with multiple advanced degrees.
I always love the interview with Ben Affleck about Armageddon: “I asked Micheal why it would be easier to train drillers to be astronauts rather than vice versa, and he just responded with ‘fuck you.’”
Ha! I hadn’t heard that - I’m glad someone involved called him out on it. I mean, I get that the real answer - to that and all my complaints - is that the movie doesn’t work otherwise, but it’s so annoying.
If the movie doesn’t work unless you include a plot hole then the movie doesn’t work.
As soon as you know too much about a certain topic, any movie or series about it turns to shit.
I’m a nurse and badly done medical stuff in movies are so rampant and it drives me crazy.
That’s super true. What’s worse is that it often turns out to be true of news as well. There have been a few times when I was familiar with events that made the news, and there were always inaccuracies in the articles. It’s made me look at articles on events that I’m not familiar with differently; they probably have the same amount of inaccuracies.
I’m software engineering in aerospace, so a lot of computer and space stuff is ruined, which covers a lot of content.
But everyone should smack their heads about Armageddon.
There’s also the really stupid “high G burn around the moon” scene, which I would love to see Scott Manley try to replicate in KSP.
That’s why I liked Deep Impact. It went must more (potentially) realistic than Armageddon. But the latter wanted its “common man, that people can relate to, saves the day” trope.
Deep impact is a great movie! Directed by Mimi Leder. She also directed The Peacemaker, a great 90’s adventure movie with George Clooney and Nichole Kidman. If you’re into that sort of thing.
I don’t understand the the thinking that astronauts would be amazing drillers. Drilling is functionally a trade, the education aspect isn’t the key factor, it’s the experience. The movie actually does a fair job explaining why.
I would have written it so the drilling crew needed to learn to be astronauts and the astronauts needed to learn drilling and send them both up. That way, they would be each other’s backups and you get another small story arc out of it.
I never said that being a driller is trivial. Do you think being an astronaut is trivial? That’s a pretty intensely technical job, which is why the bar for entry is so insanely high. I would put my money on those folks leaning how to drill better than drillers leaning how to be an astronaut.
It’s not trivial to be an astronaut, but most didn’t need to be. Flying the ships, docking, and landing on an asteroid all require intense skills. The drilling required a similarly intense set of skills that you can’t gain in a week. You can probably teach someone the bare minimum of putting on a suit and working in it.
Because it’s easier to put someone in a suite than teach them years of experience of drilling. You might remember that even the experianced driller had trouble. They also send astronauts with them as well to do the astronaut things, not just the driller crew.
The smashing into things thing and still taking off…well the movie was supposed to have a happy end for the remaining crew. It would’ve still been a happy end to have them die, but this way you get a lovely reunion with the families.
I don’t know you, but if you go by questioning plot-armor, you’ll have a really hard time to find something to watch.
Agreed. All the drillers have to do is ride. OTOH, neither group would fare well learning to drill in microgravity.
I’m sorry but I ADORE Armageddon lol is very emotional and self aware. Is definitely a NO BORING movie and always keeps moving, even when there’s no explosions going on. Ben Affleck > Neil Armstrong, I bet he couldn’t had reached those 400 feet in time! 💣
It is too early to say Oppenheimer?
Agreed. Bombastic. Felt like it missed the whole point of Oppenheimer’s moral dilemma
I’m biased but I thought it was pretty clear with portraying Truman as an unambiguously bad guy and Oppenheimer as decent but failing at a critical moment and then regretting it later
I’ve always imagined his moral dilemma was knowing that (after the Nazis were defeated) going ahead with the bomb was wrong, but wanting to do it anyway - because they had become so invested in the idea, and wanted to see if they could.
Gravity isn’t a space movie. It’s just 2 hours of Sandra Bullock crying and hallucinating. It’s probably the second worst movie I’ve ever seen after Open Water.
Once Upon a Time in Hollywood.
I’m a huge Tarantino fan and enjoyed every single one of his movies, except that one.
Maybe you had to have been in the Hollywood scene at the time to understand the humor, but I was bored out of my mind the whole time and wondered whether he’s making fun of the audience and seeing if he can get away with a movie without a real storyline if he just includes his signature foot shots, long conversations about nothing and a massacre at the end.I think the problem was that half of the movie was a memorial to the victims of the Charles Manson murders and the other half of the movie was about Brad Pitt and DiCaprio, and the two stories had absolutely zero synergy.
just includes his signature foot shots
To be fair, those foot shots are … as good as foot shots can be, at least.
Sigh.
I never finished it j just got bored
James Cameron’s Titanic. It’s marketed as a romantic film, but the moment you start looking at other aspects of the movie, it just seems stupid. The antagonist is so cartoonishly evil, it’s a wonder they didn’t give him a mustache to twirl.
And then there’s the ending. Oh dear lord, the ending. Spoiler warning and all that: at the end of the movie, The Titanic s(t)inks and the passengers try to get to safety. Rose finds a floating door or something to stay afloat and finds Jack swimming in the freezing ocean. Then Jack makes the most non-sensical decision in the entire movie: he sacrifices his own life for no good reason. The plot frames it as a necessary sacrifice, but it totally IS unnecessary, because there was enough room on the stupid door for two people. And then we flash forward to the present, where Rose is old, but still has that gem she wore throughout the movie… and then she tosses it into the ocean. WHY.
Basically the plot boils down to: two young people have a fling on a boat and then the boat sinks. It absolutely did NOT deserve all those academy awards it got that year.
People are STILL bringing up the “there’s enough room” arguments?
The movie LITERALLY shows you why it doesn’t work. At first they both try to climb on it, but they’re too heavy and the stupid thing capsizes. Only then is Jack like “You go take it, Imma good”
Also, Mythbusters tried it and got the same results. 2 people to heavy, 1 ok.
No, the Mythbusters actually proved the door could support two people. At the end James Cameron himself basically throws his hands up, concedes and makes some comment about “whatever, if the script says Jack has to die, Jack is dying.” Rewatch the edpisode if ya don’t believe me
Yes, after the took off their lifebelts and tied them under the door for adden buoyancy.
I think two people, already stressed to their teeth, now also suffering from hypothermia can be forgiven for not having the same presence of mind in that situation
Guess i forgot about that detail, so thanks for the correction. The end results are the same either way though. The door can float 2 but the script says jack has to die, rendering the entire argument pretty moot. James Cameron’s comment was basically “science be dammed, Jack’s drowning.”
I’m sure if Cameron realized that the door of that size, with two life jackets underneath could support two people, he would have written the door to be smaller. It’s ok not to like the film, but this is just CinemaSins level pedantic.
It’s been a while since I’ve seen the movie (and have no desire to see it again) and I don’t remember the scene as clearly, so that’s on me. Throwing away the gem was still colossaly stupid, though.
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Crash the 2004 hit movie not the 1996 Cronenberg Cult-classic.
to elaborate, it was insincere corporate virtue signalling designed specifically to bait the academy awards by using a multi-character parallel storytelling style that is only ever celebrated amongst industry snobs.
a multi-character parallel storytelling style that is only ever celebrated amongst industry snobs
I’m going to agree with caveats here, because some directors who are actual artists do it for the sake of the film and the challenge of it, as opposed to what I’ll refer to as “industry types”, who do it for the prizes. And some crazy bastards manage to pull it off. Three names come to mind - Robert Altman, Paul Thomas Anderson and Steven Soderbergh.
I’ve never seen “Crash” and never wanted to, from what I’ve read, the bland yet heavy-handed results onscreen, plus the lazy reflexive accolades, made me view the whole thing with a cynical eye, like you.
In fact, Robert Altman had a thing or two to say about those “industry types”, in his triumphant early-90s comeback film “The Player”.
Also, do yourself a favor and watch Altman’s “Short Cuts”, to see parallel storytelling at its’ best.“In fact, Robert Altman had a thing or two to say about those “industry types”, in his triumphant early-90s comeback film “The Player”. Also, do yourself a favor and watch Altman’s “Short Cuts”, to see parallel storytelling at its’ best.”
Thanks, I’ll be sure to check those out. I was a little worried I came off too hot with my take. I won’t say it can’t be done well, it’s just that I’ve never seen it done well since I first learned about the storytelling style in my intro to film studies course in college.
Short Cuts is amazing. Altman changed the game in many ways. I believe he changed the entire way we record dialogue because the way we did it before just didn’t work for him.
Altman came in throwing punches with the noisy background and chaotic dialogue wafting every which way, right from the outset, on MASH and McCabe & Mrs Miller, which is why it’s a good idea to watch his films with English subtitles turned on.
I don’t remember the cacophony being as intense in some of his other early works, like Brewster McCloud, California Split and The Long Goodbye.
But in Nashville, it’s most certainly there, front and center and in your face.I’ve only ever seen Short Cuts (loved it), the Player (liked it a lot), and McCabe and Mrs Miller (ehh…). How do you think I’d feel about his other films?
My recommendations to you are as follows:
My favorite Altman film overall probably might have to be The Long Goodbye. Check out how the camera is always moving, if even slightly; there are no static shots. Midway through the movie, the great Sterling Hayden steals the show. And keep an eye out for a very, very young Ahnold Schwarzenegger in a bit role as literal and figurative muscle for the batshit insane bad guy.
Brewster McCloud is a bonkers twisted fantasy that caught me by surprise by how much I enjoyed it, it’s about a kid who:
- Lives in the Astrodome in secret, in a forgotten construction nook, a big one, between walls and floors.
- Wants to be able to fly.
- Is being encouraged by an older woman, who might actually already know how to fly.
Also, there are people being killed all over town, and it might have something to do with all this.
Thanks, I’ve saved your comment and I’ll add them to the list.
crash has like one good scene in the entire film. the rest is total garbage that me and a friend laughed at the entire time we watched it
Black Panther.
It had so much hype in the media, i was so excited to watch it. It turned out to be rather boring and forgettable.
crash won an oscar for best picture and it was complete and utter garbage
I never understood the hatred for crash. It’s a great story great acting and great ending. I really don’t see what the hate is about.
Guardians of the galaxy 3. Would not be surprised to learn ChatGPT wrote the dialogue.
Thor: Love and Thunder felt like it was written by a Disney executive suite after they ran metrics on what test groups laughed at in Taika’s other work, then amplified the lulz by 20%, and rewrote it for the 11-16 year old market.
Has this movie been praised though?
Doubtful. The whole marvel train is crashing.
Deadpool would like to disagree. That movie is going to absolutely fucking slap.
Liked it. But I like goofy shit, and I don’t like Marvel.
If they had done that with Batman I’d have pitched a fit. Like I did with Clooney Batman.
Joel Schumacher’s Batmen movies, especially the Clooney one, were so awful they changed the tone of superhero movies from that point on.
I watched them both very recently during an extended Arnold Schwarzenegger movie binge, and it’s absolutely worth hate-watching them again for the sheer wonkiness and absurdity of… everything. Try tallying the Dutch angles. And girl power platitudes.
I had the feeling that they tried to merge a dark drama and a slapstick comedy into one movie.
The God killer, especially the intro was quite interesting and dark. I could relate with his anger, disappointment and urge for vengeance.
So many movies and tv shows lately feel like they were written by ai.
Man people really liked that movie and i just do not get it. I really like the first guardians movie. It’s probably my favourite of all those superhero disney movies. The dialogue is horrible, everyone is trying to be a comedian. They made this pseudo sad ark for rocket, that was so damn cheap. Showing cute animals getting tortured/killed is such a lazy way to make people care. The only good thing about the movies are some of the crazy visuals and that groot wasn’t a baby anymore.
I’m reliably informed there are people who like Michael Bay’s Transformers movies. The most interesting part of the entire series to me was watching a Camaro get into a literal fist fight with a Mustang. Otherwise my memories of the movie were having eye rollingly childish catch phrases boomed down at me, or visuals that are basically just technicolor television snow.
No like is the wrong word. I love them. Don’t know why thou, they are fucking stupid.
I mean its clearly an ad for the military where cars beat up cars. Buuuut Its hilariously epic and very comforting in its shallowness. Normally I am more of a weird indie movie guy. But every time optimus calls out all autobots in the end I cry.I like them because they’re stupid. I do have a problem seeing irony where there is none though.
Transformers: Dumb blockbuster movie that somehow received high praise. I think I understood the assignment.
Cloverfield. It was a monster movie where you barely saw the monster. Instead, we get the story of 4 characters with a camera trying to escape the monster but then going back to rescue their friend and may or may not have been killed by the monster. I don’t know, the movie had no beginning or end and yet it managed to spawn a couple of sequels.
The first Harry Potter was okay, but it just got worse. I’d say the worst was Goblet of Fire. That one should top my list of worst overrated movies.
Haha yeah goblet of fire was such an odd movie. I don’t even remember the books or if it was the same but that movie made no sense.
My favourite part is how they let these kids fight dangerous dragons, one only didn’t drown because harry broke the rules. They kept saying how dangerous it was, but then at the end everyone was shocked that cedric died. A dead child in the child murder games? That is crazy
Remember, the movie is based on a book written by a women who didn’t had high education and is a book for children… Most things about the universe make no sense.
They were all pretty close to the books except that they cut out a lot of the pointless bickering that kept happening all the time, so I’d blame JK Rowling for those.
Funny cause apparently she had almost entire creative control
I hope the new series being developed is better. The one scene in the entire franchise that I wanted to see was the fight between Bellatrix and Molly. It was a disappointment.
I’ll go ahead and say it, the first one is a great movie even. It has a particular atmosphere of joy and hopefulness.
Then that entire vibe goes away and it just goes generic dark teenage fantasy with mediocre writing
Interstellar: just found it kind of ridiculous, outlandish, in no way believable or connected to anything even theoretically within reality. Pseudo-serious science fiction. Big budget blah.
Inception: I love Nolan but that was big swing and a miss for me. Went in excited, came out wondering where the fuss was all about.
I’ll outright say it. Other than The Prestige and the later Batman movies, Nolan movies have been very disappointing to me. They’re not clever, they’re pretentious. If you ever saw that Netflix movie where the woman dated Keanu Reaves, the part where Keanu asks the chef for a meal the plays with the concept of time is every Christopher Nolan movie in a nutshell. Also, the action sequences in Batman Begins were unnecessarily choppy, and the idea that it was somehow how a bat would see them is just silly.
Huh. Maybe I DON’T love Nolan.
Had to go look up that scene. Thank you. Thank you so much for directing me to the scene.
I do not want to see the movie, but my life is richer for having seen that scene.
“My daughter Murph. I keep gettin’ older. She stays the same age.”
Also, I love how he had a son who just wanted to be a farmer and that meant that Matthew McConaughey’s character was justified in being totally emotionally disinterested in him, compared to his genius daughter. Seriously, at a certain point I think Nolan forgot he wrote this guy with two kids. His entire character was defined by his relationship with his daughter. Why even give him a son in the first place?
I liked both Interstellar and Inception. I hated Tenet - on how the story was told and the inaudible sound (eye roll).
