Modulation / key changes have been used in music for ages but the style I’m talking about is the distinctive last verse (or chorus) sudden key change up to power through to the end. Seems to have come about sometime in the 60s/70s and was everywhere in the 80s onwards.
Examples:
Heaven is a place on earth - Belinda Carlisle
I will always love you - Whitney Houston
But who popularised it? What was the first big song to do it and set the style for the genre?
Modulation fluctuates in popularity. About a quarter of number one hits from the 60s through the 90s utilized it, whereas in the 2010s only one number one hit did.
Why the key change has disappeared from top-charting tune - NPR - All Things Considered
Edit: I realize this doesn’t answer your question, but I’m not sure there really is an answer. It’s such an old technique, musically speaking.
it sort of does answer it in that it wasn’t reallllly popularized in the 80s it was just rehashed by pop chart hits.
Probably not the correct answer, but a lot of Jim Steinman composed/produced songs have that cheesy power ballad flair to it.
You see it in classical music all the time, like minor to major changes leading to crescendos or other larger shifts leading to the end of a movement. Mozart, Bach, Beethoven, Chopin. It’s nothing new.
Agree. But mine is a question about style as much as anything. It’s use in 80s ballads is distinctive. Same key throughout song then a singular upshift for the last verse / chorus. I’m not referring to music that modulates throughout the whole piece, or makes a change near the end having done it in several other places.
There is a cool video by David Bennett about this. I can’t seem to remember if he mentions who was the first one, but he puts on a lot of samples I wasn’t aware of
That style actually pre-dates the 80’s by at least a few decades. In more traditional music, particularly Christian hymns, that’s referred to as a “descant”. It was popularized in church music in the early 20th century by Ralph Vaughn Williams.Edit: See comment below.
That style actually pre-dates the 80’s by at least a few decades. In more traditional music, particularly Christian hymns, that’s referred to as a “descant”. It was popularized in church music in the early 20th century by Ralph Vaughn Williams.
Descant is a vocal harmony above the melody, whereas in hymnody most harmony is below the melody. They show up in final stanzas, most frequently.
What they’re talking about here is modulation, where the key shifts by a step or two (or maybe a half step). It’s sometimes seen as a bit cheesy nowadays, but I love a good modulation.
That makes sense and I just learned something new. Thanks for the correction!
Thanks for the correction!
Thanks for the gratitude!
Like most others here, I don’t have an answer for you. I just wanted to share that I feel songs using this gimmick are lazy attempts to pad the length of the song. Nothing prompts me to change the channel or skip ahead faster.
Yep it’s cheesy. You can do that with purpose, but that’s very rare.
Some certainly do. But it also creates a distinct emotional feel which may also be a legitimate intention.
I know nothing about music history, but consider that you’re basically describing yodeling
not the singing of high notes but the music key. e.g. Whitney’s song starts out in one key but progresses up one later when she hits the chorus “AND IIIIII EEEIIIIII”
WEIIIIIILLL AaAAAHHLWWWAYS love EUGHYOUUUUUU
I know almost nothing about yodelling, but of the little I’ve heard it has never struck me as a dramatic key change
I don’t know but key changes should be illegal imo. Pick a key and stick to it.
Ah come on, everyone loves to belt out that last verse!
👮♂️ 🚨 👮 uhh I’m gonna need to see some identification and your license sir
Lol
suspect driving a ‘99 dodge cherokee with 400lb of peanuts on the back seat, suspected of changing key without a license
Stephen Sondheim in shambles.
