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Joined 2 years ago
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Cake day: June 12th, 2023

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  • I know, but as a physical, mobile object as a camera is involved I imagine it’s much more vulnerable to man-in-the-middle attacks than today’s TLS certificates for sites. There are more moving parts / physical steps and the camera is probably not always online.

    But in essence you are right, operating the camera the same way as a server should be possible of course. We need some basic trusted authorities that are as trusted as we have for our current TLS certificates.

    What it will prove, is whether the video is actually of a specific camera certificate. Not who owns the camera, if it has been swapped or if the video footage is real.



  • But how would one simple member of the audience easily determine if this whole chain of events is valid, when they don’t even get how it works or what to look out for?

    You’d have to have a public key of trusted sources that people automatically check with their browser, but all the steps in between need to be trusted too. I can imagine it is too much of a hassle for most.

    But then again, that has always been the case for most.






  • No need to attack me like that when I’m just sharing my viewpoint.

    I’m not that outspoken about whether it is fair or not to train on publicly visible data. As that is like having a set of brains look at the same data, but on steroids.

    I do feel, however, that large companies making money off that inspiration input seems skewed. But that comes down to the question, can you look at public work and then ask for money for the work you create yourself afterwards. As you surely build on inspiration.


  • tweeks@feddit.nltoComic Strips@lemmy.world[Rusty Creates] 'Artists'
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    3 months ago

    In a sense everything every artist makes is inspired by other people’s art and general life experiences. We humans only have some extra sensory channels and brain paths to map that inspiration through, so it “feels” more original.

    I’d argue our creation of art is just a couple of levels more complex. But at its core its just external stimuli followed by some internalisation that enables us to create art. But we needed the aggregated input.

    Which does not mean that we can’t disapprove of literal copies of other people’s work. But I think we should be very aware of the fact that it’s more or less a complexity scale.








  • Interestingly I can agree on the grossness of it, only when “the mood”™ arises a kind of nasty turns into attractively naughty. It’s a strange alteration. Like the new texture of a food you might find somewhat repulsive at first suddenly becomes highly addictive or desirable when you give in to it. The sleazy feeling of wanting to keep popping bubble wrap plastic without stopping.

    This differs based on time, context (persons) and general mood.

    I wonder if at a base level we have kind of the same attitude, but the hormonal alteration or lack thereof is what creates the differences and clouds my mind while yours stay sharp.