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Cake day: July 4th, 2023

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  • Are you referring to Method of Loci? I’ve experimented with it a bit. For a while I would do daily mental walk-throughs of the apartment I grew up in and I practiced visualizing symbols for the 10 digits. After a few months I was able to successfully remember some pretty long numbers. Ironically, I don’t remember how long they were. It wasn’t that useful though. It took me a really long time to “store” numbers; longer than it would to just write it down. I didn’t have a system for storing anything besides digits. Worst of all, the “memory space” was limited to the size of my old apartment. I was able to increase the space by adding detail to rooms but it was never enough to be practical for anything besides trivia. Strangely the repeated “walk-throughs” ended up bringing back memories of smells and textures that I hadn’t thought about in decades

    I think I’m much better at remembering and imaging things that can be easily articulated. I recognize my wife with no problem but I can’t really summon a good mental image of her. We have a photo of the night we met. I can visualize details of the clothing and jewelry she was wearing but when I “look” at the image in my mind I can’t really see her face. It’s hard to describe. Almost like there’s an image with a tag that says “link to wife’s face here” without actually loading it. When I really concentrate on it I can wither get a really blurry image of her face, a really zoomed in image, or a sort of “line art” version of her face. I don’t have real prosopagnosia. I can recognize faces, it just takes many more exposures than it does for most people.



  • This (and the human brain in general) is fascinating to me. I’ve always been on the opposite end of aphantasia, although I’ve never been officially diagnosed with hyperphantasia. I don’t understand it at all it just seems natural.

    When there’s a question about physical objects I close my eyes and just check. It’s not that my memory is particularly good but I can “synthesize” shapes. I might tell myself a story like, "Start with a point. Expand it into a line segment. Now pull that line parallel to itself to create a rectangle. You can spin that plane around a bit and then grab a point in the middle and pull it up into a pyramid. And so on. I basically watch a color-coded animation when I say something like that.

    With music it can be a bit distracting. I’ll go through phases where I get some piece of music stuck in my head and when I do it’s incredibly detailed. I can pick out individual instruments in an orchestra and hear reverb. It can actually get so distracting that I have to play a trick to get it to stop. I need to find a piece of interesting music that I’ve never heard before. I can play that enough times to “drive out” the other one but not enough to “light up” the new one and I’m fine.

    As a kid it was obvious that this was not something everyone did and I thought I was special. It turns out that beyond being an interesting curiosity I haven’t found any actual use for it. Too bad. I still find these differences really interesting.

    As an aside, I’m also one of those people that’s terrible at remembering names and faces. I often completely forget someone’s name and face within minutes of meeting them. I’ve started using Anki to help with it. I make flashcards of all the people I’m supposed to know and run through them every night. It’s a hack that works well enough that (some) people think I’m one of those people that never forgets a face.


  • Is that intended as a legal or moral position?

    As far as I know, the law doesn’t care much if you make money off of IP violations. There are many cases of individuals getting hefty fines for both the personal use and free distribution of IP. I think if there is commercial use of IP the profits are forfeit to the IP holder. I’m not a lawyer though, so don’t bank on that.

    There’s still the initial question too. At present, we let the courts decide if the usage, whether profitable or not, meets the standard of IP violation. Artists routinely take inspiration from one another and sometimes they take it too far. Why should we assume that AI automatically takes it too far and always meets the standard of IP violation?


  • Yes but there’s a threshold of how much you need to copy before it’s an IP violation.

    Copying a single word is usually only enough if it’s a neologism.
    Two matching words in a row usually isn’t enough either.
    At some point it is enough though and it’s not clear what that point is.

    On the other hand it can still be considered an IP violation if there are no exact word matches but it seems sufficiently similar.

    Until now we’ve basically asked courts to step in and decide where the line should be on a case by case basis.

    We never set the level of allowable copying to 0, we set it to “reasonable”. In theory it’s supposed to be at a level that’s sufficient to, “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” (US Constitution, Article I, Section 8, Clause 8).

    Why is it that with AI we take the extreme position of thinking that an AI that makes use of any information from humans should automatically be considered to be in violation of IP law?