• Ilandar@lemmy.today
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    7 days ago

    I finally got around to watching The Life of Chuck a couple of nights ago. I had intended to see it in the cinema but I was pretty busy around the time it released and it didn’t get a long run. I didn’t know much about the film at all and was mostly drawn to it by Mike Flanagan, whose writing and direction I have really enjoyed in the past. Anyway, I had pretty high hopes despite knowing very little about the film and it met or maybe even surpassed those. It’s the best film I’ve seen this year, I think largely due to how well it delivers its core themes. I don’t want to discuss it too much without spoiler tags, since it is best watched without any expectations or preconceptions.

    Spoilers for The Life of Chuck

    I understand why the film was somewhat polarising, as it’s not for the cynical or those with poor attention spans (seems to be a good chunk of the audience these days). I think the themes are very relatable and can be very inspiring for most people, but that does rely on not knowing too much about them going in as they have been explored many times before. I have always found the concept of death terrifying, so I found The Life of Chuck to be very effecting (similar to the long monologues in Midnight Mass). I think perhaps part of the reason why I found it so moving right in this moment is because my grandparents are getting very close to the ends of their lives and just recently I attended the funeral of a friend who died very young in a freak accident. The film forced me to think about mortality which is a topic I so often try to prevent my brain from lingering on, particularly these days as death seems to be all around me.

    I did have a couple of nitpicks. Firstly, Nick Offerman as the narrator. I think he has a great voice for narrating and his performance was good, but I’m not sure if his voice was the right match for this particular film. He has a very dry comedic tone to his voice, which worked well in a couple of scenes but was jarring for the majority. Initially I didn’t like the narration at all, but on reflection I think it was important to make the story more abstract. If you don’t have a narrator, you need to show and tell more through conversations and behaviours involving the characters, which adds a level of realism that would have worked against the film’s messaging; the characters in this film are deliberately underdeveloped, allowing us to replace them with ourselves. The excessive explanations did dumb things down, but after seeing how many people online didn’t understand the film at all, even with a narrator hitting them over the head constantly, I feel like it was worth it for accessibility.

    Speaking of dumbing the film down, the ghost story twist at the end was too literal. I prefer to think of that scene as a visual representation of an existential crisis. For a young Chuck in his late teens, maybe that is the first time it has really dawned on him that death is coming for him at an unspecified time in the future and that he only has a limited time left before that happens. That’s a very relatable fear/realisation that many of us grapple with throughout our lives, including in old age as Chuck’s grandfather did. Upon entering the attic, they didn’t actually have visions of the exact moment of their death; it was just a combination of age, reflecting on the passing of loved ones and the emptiness and silence of the space that forced them to contemplate their own mortality. I think this better emphasises the choice we all have to take risks in the pursuit of living our lives to their fullest, fully aware that our time is limited, or playing it safe and closing ourselves off from opportunities for short-term joy because we are so focused on a long-term, almost infinite, approach to life.


    • makeshiftreaper@lemmy.world
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      7 days ago

      I’ve had this same problem discussing it. I was really surprised by how much I liked this movie and I think it’s because I didn’t know anything going into it. I also know everyone hates getting recommend anything described as “go in totally blind”. I re-watched it within a month and it’s really good the second time around too because:

      spoiler

      you start seeing the repetition of the story but with the context of where it’s from. You understand why certain characters are in the first third based off their context in the last third. I especially like that he associates waiting for death with the cosmic calendar because of the scene with Mark Hamil drinking and the whole weatherman stare thing with the funeral director. Plus that dance is just joyous to behold

    • memfree@piefed.social
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      7 days ago

      Thank you for the spoiler tag. I’m not reading that part because now I have to watch the film.