Is this that feminist riddle again?

For me it’s usually a matter of overestimating how many chances I’ll have to read while I’m out. Or how tired I’ll be when I finally do get a moment of down time. Hard to read through closed eyes.

No way. Most Disney characters are horny as hell.

But if we don’t let twitter users whinge about obviously exaggerated and satirical drawings, how will they feel superior to everyone else??

Is the director’s cut the version where they cut away from the mind meld scene to shoehorn in a bunch of flashbacks for people who can’t remember the conspirators names?

If so, I hate that version! What a garbage change to a magnificently acted scene.

I love all the TOS films (which is more than I can say for any other era), but at the very least I’d think that if you like II and IV you ought to enjoy III and VI.

III is the middle of a trilogy you’ve already seen the first and last instalments of and is a solid adventure on its own, and VI brings back the director of II to give the whole series a proper send off.

I love Cause and Effect, but it’s one of the few time loops where no character remembers past loops. Not much room for character growth there.

The Disco episode the meme comes from is actually the best two-in-one example.

Interesting point. I remember TAS’ Kirk being much less, well, animated. I’d chalk it up to the limits of Filmation and Shatner being less interested in voice work, but I’ll need to keep Wesley in mind next time I watch it.

I’m personally not in love with simply doing more TOS. Feels like a show, once done, should stand for itself. Plus, I’m okay with Paul Wesley as younger Kirk, but he wasn’t a great fit when he debuted as mature Kirk.

I’d be more excited about something running parallel. Number One as the captain of her own ship (with the occasional 1701 team up, of course) would be more appealing to me.

I’ve been hearing about how Kurtzman is days away from being fired since Discovery’s first season. If he does choose to step down, there’ll still be no convincing those people that he wasn’t forced out in disgrace.

LOAD “*”, 8, 1

If I were an overworked teacher, I’d still rather award the point. Just throw down a checkmark and move on. I don’t need to write an explanation, and the kid/parents are not going to complain.

I don’t how you can get any vibes out of this interview. I’m getting “they’re happy to be working, but Canada is cold.”

“And now the continuation” brings a real mix of feelings.

Clearly, Disco Klingons were a racist caricature of the good people of Remulak. Unforgivable, really.

Looked it up - 1995. I’d have been all of eleven at the time.

Apart from the scale, I remember it as being pretty screen accurate. I think the first Starship Exeter fan film used these, with a little modification.

My parents bought this for me when it was new, as well as the phaser and communicator! The strap was the perfect length for me at that age…

I loved the little blueprint sheet that came with them.

You say “dilute,” I say “diversify”. Star Trek has always had a place for comedy. That doesn’t mean anything goes, and I get being trepidatious after the trash fire that was S31, but I think there’s good reason for optimism in this case. If Lower Decks and interviews like this are anything to go by, it looks like Newsome knows that any comedy needs to jibe with the overall Trek ethos.

Nick Locarno was a name Tom Paris went by for a while to distance himself from his father. I don’t care what Lower Decks had to say about it.

Q was Trelane all grown up. We’ll see if this holds up after SNW season 3 comes out.

Data always had emotions, he just didn’t understand them. Lore never had emotions, he was faking it.

Spot was a robot who underwent a series of upgrades throughout the series, and Data applied the lessons he learned from that to the development of his daughter.

Still better than Musk Junior High.