

To a gator you are only easy food, troublesome food, or not food. (Momma gators may make the additional distinction between “threat to my brood” and “not a threat to my brood”.) They are opportunistic feeders, so them seem chill. They are NOT chilling, they are patiently waiting, conserving energy, for an opportunity for troublesome food to make itself easy food. A relatively fast moving and agile human feeding a gator is troublesome food dispensing easy food. Either way, to a gator fed by people, you (and by association any other humans) are just food that hasn’t become easy food, yet. They aren’t chilling, they are waiting for an opportunity.
It seems likely that this guy is keeping this gator in a climate a little cooler than what the gator is used to. Cold gators don’t just slow their movement. Their entire metabolism slows down. Cool enough (and I’m talking mild Florida winter cool here) and the gator may stop eating for a few weeks or even months. It may not even bother going after easy food if it’s cool enough because it’s body may not be able to digest it even if it did. That’s probably when photos like this would be taken. A zonked out cold gator with a belly full of rotten meat that it can’t digest until the temperature rises.
The whole scene here looks like that girl from the walking dead with zombie pet. It’s all going to end very badly one day.
If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.
I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.
There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.
Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.