

The production values are sufficiently high that it makes me think it might actually be from an episode to come.
The production values are sufficiently high that it makes me think it might actually be from an episode to come.
Did I miss the actual Protostar announcement?
Thanks for bringing this here VS.
Saw Tatosky’s thread on Mastodon. It really gives a much better sense of how ‘real’ the preproduction was under Fuller.
Lots of expenditure clearly but badly managed.
Tamara Deverell talked about having little to spend when she took over after the pilot because the initial sets were built on the designs Fuller signed off on.
No engineering but a bay to hand load missiles! Which she repurposed to Stamets’ spore lab.
My thoughts exactly.
It would be great if they could bring Kim & Lippoldt back as showrunners/EPs and get someone else to direct it.
He didn’t necessarily know that Pike would be an option. He likely didn’t know that Lorca would be an MU character.
She brought such positive energy to fans during her time on Discover.
Her Twitter was full of enthusiasm. CBS was so much less limiting of the actors’ social media engagement. Paramount really hasn’t done well by limiting engagement to the EPs.
It’s unfortunate there hasn’t been opportunity for her appear in Strange New Worlds.
It feels like the chose them to fill in the gaps in the collections of fans across every show and the movies - but also to profile legacy characters featured in new productions.
Rachel Garrett is surely there because of S31 and Jellico is more popular than ever after Prodigy.
Most structural starship components would require large industrial replicators.
These seem to always be centrally located and powered.
What someone can do with a small home model would be quite different.
It’s absurd. Our kids ended up playing Star Trek with Playmobil’s space and ‘Future Planet’ planetary exploration lines. (I doubt these even still exist.)
When the Star Trek line finally arrived it was only TOS.
We’ve tried most of them over time.
Star Trek Resurgence has consistently excellent reviews. It’s about a 25 hour role play where the player makes choices for two different crew - a senior bridge officer and an NCO in engineering. It’s well done and one of our teens and I are enjoying it a lot. Great value for the sale price. My patience on this one was reinforced by its initial release being exclusive to Epic - but on Steam and on sale it’s worth it.
Bridge Crew is an older game. I have had it for a couple of years, and took advantage of the sale to pick up copies for each of our kids Steam accounts. One of them got really into it right away.
Timelines is also older. It held their interest for a bit in middle school but doesn’t seem to be one of the better tie-ins.
Star Trek Online is a long running massively multiplayer game that starts out free but then can cost a lot for in-game purchases. One of our teens is into it, and got fairly far without purchasing much, but the Steam sale is a good opportunity for them to buy things they’ve had on their wish list.
As a parent, I find these better than the endless number of Star Wars mods on Roblox that one of ours got into for a while.
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The thing is that while the technobabble is just that, the process represents how engineering gets done better than most other ‘serious’ SF, albeit at compressed speed.
Voyager did a better job than any at showing how the thinking and problem-solving work gets done - which to me is more the point.
All this criticism seems to come from folks who’ve never seen nerds working in teams being nerds. They seem to want science FICTION to be locked down to concepts that someone with a mid 20th bachelor’s degree in science would know.
Whereas the real life scientists and engineers in my circle react more like Erin Macdonald did when she was working on her physics PhD and saw Voyager. She recognized the process and thought it was cool that some of the newer concepts in gravimetrics were referenced but didn’t sweat the small stuff.
Glad to have you mention that here.
So many fans of the older shows assume that Lower Decks isn’t accessible to new viewers who don’t get the references, but it’s quite the opposite. Gen Z and younger viewers are into animated comedies and it’s a successful entry point. And with the number of middle schoolers who got into manga and anime during the pandemic, the portion of the audience that prefers animation as a medium is only going to grow.
Our teens were fans of the Voyager when they were in middle school, and sampled the rest of the classic shows. Despite that they seem to be split on the animated vs live action new shows, and none of them would watch Picard.
It’s a real shame that there won’t be any new animated Star Trek after this season of Lower Decks.
Star Trek Prodigy is the true sequel to Voyager. It’s all ages / family rather than the ‘kids show’ many fans take it for. I would watch that with your GF next.
Because Prodigy is designed to be an entry point for new viewers, it introduces many of the key legacy characters and much of the lore. It has a Star Wars vibe in the pilot, mainly to draw in viewers from other franchises, but it settles into being some of the Trekiest content ever by the 6th short episode of season one.
Dave Blass said much of it was packed up in crates and shipped.
To where is the question.
TOS ‘The Devil in the Dark’ in first run.
I was barely in school, but my slightly older neighbour who’d hooked me on Time Tunnel and Voyage to the Bottom of the Sea, convinced me that Star Trek must be seen.
I quickly caught up during the hiatus reruns, and have seen absolutely all of it in first run since.
I hadn’t been aware that he’d also been a director for television. Truly a wide-ranging career.
If anything, Lower Decks has intentionally lifted some 7-note sequences from the TAS title theme.
The title theme for Lower Decks almost does a bait and switch riff of the TAS one.
It’s pretty odd that an NBCUniversal event is bringing two Paramount Global fandoms (D&D, Star Trek).
I don’t think you needed [sic], just the comma that StarTrek.com omitted.
So, this is a big reveal - the scenario is a planet that has not been but now is a part of the Federation.
The viewpoint is civilian.
The resort workplace setting, like the old Loveboat or Fantasy Island, means that anyone can come by as the guest star.