I found the Voyager books when they return to the Alpha Quadrant very frustrating and disappointing. I DNFd the second one.

It seems like the tie-in auto Christie Golden was required (by the IP holder) to break the Voyager crew up and make them experience a great deal of unhappiness.

In the main series of post Voyager 24th century relaunch timeline novels post Nemesis, longstanding author Peter David was obliged to kill Katherine Janeway off in one of the crossover events!

That said, I did really enjoy Kirsten Beyer’s Full Circle Voyager novels. Beyer was eventually given permission to get the Voyager crew back together for a new exploratory mission to the Delta Quadrant with a group of slipstream ships.

Vanguard is darker even than DS9, so not everyone’s taste.

What it does have is not only Starfleet on-station but also 4 ships that are based there from a scout explorer to a Constitution class. It’s a lot of characters. Plus Tholians and Klingons. The mystery takes a bit to come together but it’s excellent.

The Enterprise and her crew show up occasionally but aren’t the primary characters. There is one Vanguard novel recently add that is Enterprise-focused and is one of the best books since Destiny.

Directors, actors and art directors seem to be very happy to tread the ground of adaptations.

What we really have is some writers that want to tell their own Star Trek stories but aren’t doing a good job of serialization and studio executives who think that rehashing existing stories and characters will buy success.

And yes we have egos like Patrick Stewart’s holding his character hostage to his own reinterpretation of his character to be a reflection of himself.

But as we have seen with the character of Jim Kirk, there can be other actors to carry on the legacy.

That’s not really the point though.

While Slow Horses, Reached or Silo had their print audiences, they are not adapted solely because they are reaching enormous audiences as books. They have become successful shows because someone made the case for adaptation to the studios.

Star Trek has been struggling to make serialized live action shows successfully. Why not go with what works and adapt that?

Tie-in writers are writers for hire.

They don’t own any of the IP for their creations. All the IP is owned by Paramount.

Star Trek television has directly taken concepts from Treklit for Discovery and Picard without any credit whatsoever to the print authors who created them.

Screenwriters who created guest characters like Locarno are owed some credit and residuals but these are very modest.

There was a good recent thread on this. Much depends on your own preferences.

I posted the image of the first book of the TOS era series Vanguard because I think it would be excellent to adapt to television. It’s about Starbase 47 serving Starfleet in a region of Federation expansion and colonization. It’s somewhat dark and there’s a mystery at the core. Tholians get extensive treatment which is rare.

If you’re looking for the Alpha and Omega of the Borg, the Destiny trilogy is excellent. It’s basically the best Borg content out there.

If you’re into time travel, Christopher L. Bennett has a series of books about the Bureau of Temporal Investigations.

There was also a great anthology of novellas focused on the Starfleet Corps of Engineers.

There are numerous great standalones too.

Frankly, we saw more in Pike’s face and heard more in his tone of voice — grim and determined - than any debates might have given us.

We were shown rather than told, and that’s a good thing.

This was arguably Anson Mount’s best, most sincere, performance as Pike since Discovery season two. There’s been a glibness in Pike in SNW. Both episodes 5 and 6 this season have turned that around.

It was also another episode where Una showed that she really was Pike’s First Officer and principal advisor.

The Destiny trilogy by David Mack is my favourite. I liked it so much that I got a print copy of the omnibus.

Cold Equations is another popular trilogy by Mack.

Vanguard is TOS era series with books alternating in authorship by Mack and the writing duo of Dayton Ward and Kevin Dilmore. Vanguard, Starbase 47, is a somewhat mysterious Starfleet base of operations in a new region under colonization. While the Enterprise and her crew make a few appearances across the series, it’s primarily about Vanguard and the ships that are based there.

I liked all the Titan novels.

The Fall is a multibook ‘event’ in the Relaunch novelverse with each book by a different one of the regular authors.

It comes after Destiny and the Typhon Pact series of books.

While I like most of the books in all of these, there’s one author David R. George III whose books I find unbearably dull. He clearly knew his canon cold but his books are long on excessively detailed exposition, and short on dialogue or action. By the time I got to The Fall, I had learned to skip his books and just count on the recaps provided by the other authors.

I don’t see the documentary as the A-plot at all.

It was constantly present as a frame, but the episode wasn’t primarily about the documentary - it was primarily about how Starfleet captains and senior crew wrestle with ethical decisions when their orders do not align with their values, and how they seek to find information that can provide a rationale to pursue an alternative course of action.

Basically, it showed how important the crew that is present in the situation is and how that makes Starfleet more than just a military organization serving a military mission.

My partner and I really liked this one.

We both think it’s in the top rank of Star Trek episodes. In my view it may be the best of SNW to date.

It definitely should be the ‘For Your Consideration’ episode of this season.

The direction was excellent. This was one of the best dramatic performances from Mount as Pike since season two of Discovery.

My sense is that some viewers were mistaking the C-plot about the warring groups, for the A-plot about the Enterprise officers response to the ethical choice between orders and the free will of a sentient being or the B-plot about the making of the documentary.

I can’t agree that the episode was too short. The best Trek episodes are tightly rendered and leave lots of room for thought after.

It depends on the populations.

Steppe populations from modern Ukraine easy through to the Urals lived mainly on meat and dairy 5000 years ago (even if they didn’t yet have the lactose tolerance adaptation).

More Prodigy erasure…

🤦🏼‍♀️

I can agree that they’re doing a brilliant job of what they’re doing.

For those of us who’ve been wondering about Pike since The Cage was first put back together and released in the 1980s, it’s been a bit disappointing.

Too much Spock, Uhura, M’Benga and Chapel, not to mention Kirk, too soon rather than a focus on Pike, Number One and the ensemble that preceded Kirk.

I didn’t expect the graphic novel to be able to so accurately capture the voice, tone and humour of the show.

It’s exceptionally good right down to the fine print footnotes on the bottom of several pages.

I had wanted a Pike and Number One focused show but the showrunners and Paramount seem determined to make this show about laying the backstory for TOS.

While I still love the show, I agree that it’s still frustrating that the opportunity to focus more on the unexplored characters.

President of the Federation by all accounts, or past President.

Bakula is pitching a series Star Trek United. It seems everyone’s personal project to revive a character or run a show or movie is coming out of the woodwork.

https://trekmovie.com/2025/08/12/scott-bakula-talks-star-trek-united-producer-reveals-more-details-on-proposed-series/

There’s a discussion thread on this article from a week ago.

I’ve got a rewatch upcoming with my spouse so I’ll take another look at if from that angle.

Perhaps that can help sort out whether the episode might have been handled better by another director.

Interestingly, I find it’s the Trek actors turned directors that manage mixed and shifting tones well. Frakes in directing First Contact, Dawson in directing The Andorian Incident, Robert Duncan McNeill directing Body and Soul are examples.

Yes, I’m not saying she’s not a capable director, but she doesn’t seem to have been the right choice for this episode.

Looking across the distribution of directors used for SNW, as well as Discovery and Picard, there definitely seems to be particular ones that are consistently asked back for specific tones.

Maja Vrvilo directed the season 2 finale Hegemony Pt I and the season 3 one New Life and New Civilizations. In season 1, she directed Children of the Comet.

Jordan Canning directed Charades last season. This season she was given Wedding Bell Blues and Four and a Half Vulcans.