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Cake day: June 1st, 2023

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  • I hear you! I work in the field and felt like giving context, it’s hard to know what’s common knowledge and not sometimes. The main point is, a lot of this stuff isn’t “mistakes” but either deliberate so as not to distract or just way more convenient for the production pipeline.





  • Obi@sopuli.xyztoGreentext@sh.itjust.worksAnon watches It
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    2 days ago

    There’s a few reasons for this, firing the real siren on set is not practical due to the audio levels, they could maybe record it separately but that’s an extra thing to do, and why bother when “air_raid_siren_004.wav” is right there? Also audiences are used to “air_raid_siren_004.wav” and they’ll know immediately what it’s supposed to be, if you played the real sounds and it’s too unusual, it’ll make the audience think about it and take them out of the story. There’s so much stuff like this I’m filmmaking where if you stop to think about it critically for a second it doesn’t make sense, but that’s the point they don’t want you thinking about that, they want you thinking about the story and the characters. I know that’s frustrating when it’s your topic but I’m sure you’re glad they do it like this in any other case.











  • In case anyone’s wondering, there’s a few reasons for that. Firstly, of course the subject itself is badass. Secondly composition-wise we have what I call a “dynamic diagonal” which leads your eyes from the main subject to the background following the same line. The subject is back/side-lit with hard light giving an intense contrasty look. Finally, and that’s probably the main one, the fog/smoke is lifting up the shadows as you move into the picture away from the camera, making the main subject much more contrasty and stand out from the background despite being overall the same colours/brightness.