For 90s kids, there’s no need for explanation. For others, well, pokemon was a phenomenon. It was everywhere, on TV, in magazines, toys, stickers. You could trade pokemon at the school excursion on the bus.
You felt alive in this world, pokemon gen 1-2 were the pinnacle of pokemon for me. And in gen2, finishing the game, and lo and behold, there’s a whole other region (kanto) waiting for you to explore it. The night cycle in the game blew my mind in ways that I have been chasing ever since.
I know it will never be reached again, but the memory will remain as powerful as it was that evening of the early 00s. What is your greatest gaming high, that you know will never be topped again, and that you have been chasing ever since?
Hearing that we were missing half the game in Castlevania: Symphony of the Night.
This one IS a bit of a spoiler… but not much. For one, everyone knows it. Two, the game came out in the 1990s. That’s why everyone knows it. So anyway.
So you play this game. It’s like a Super NES game, but it’s on the PlayStation. It has CD quality music and voice acting (actually pretty shitty voice acting, but, I mean, it’s CD quality audio). Actually, let’s qualify that with a 45 second video. Aside from Dracula’s final line in the exchange, the lines are poorly read from a poorly written script and it shows. And yet, it’s still awesome.
https://www.youtube.com/watch?v=5tV33Ewf_hw
Anyway, it’s a fairly long game as far as Super NES games go. You go through the entire castle, you eventually confront the bad guy (who isn’t Dracula — he’s dead, and has been dead, you kill some other guy) and the credits roll. You won. Fine game. However, shortly after the game came out — it didn’t really take that long, but we weren’t all on the Internet then, so it took longer to get to some people — that if you did a few very specific things, you would instead see this ball above the last boss. Attack that instead, and the last boss is revealed to be a puppet, and he lets you pass… into the inverted castle. It’s the whole ass castle, but it’s upside down and has harder monsters. And take a wild guess who you fight at the end?
Its Game Boy Advance sequel, Aria of Sorrow, attempted a similar thing. Beat the last boss and you win, but do it with three souls equipped and… well, I’m actually not gonna spoil that. A cool thing happens. And you can go to this final area, it’s not a long area. If you win, you win the game harder… but if you lose in that final battle, you get this awesome cut scene that calls back to the video I posted above. So while they reused the gimmick, they did it in the best possible way.
None of the Castlevania games have captured that magic since. Bloodstained, the spinoff by the creator of Symphony of the Night, kind of does a similar thing in a couple spots, and it does have the false final boss, but I think it’s more clearly called out and I think you’re meant to know it’s not the end of the game. And I feel like it’s not a win if you take it, the game kinda laughs at you. Another game that poked fun at this was Shadow Complex, the shameless ripoff of Super Metroid on Xbox 360/Live Arcade. (Great game though!) After losing your girlfriend to paramilitary thugs in the Pacific Northwest and exploring a bit of their compound, you eventually get back to your car (Jeep?) and you have the option to leave. Credits roll and you pop an achievement called “Plenty of Fish in the Sea.” They knew you’d try it and rewarded you for doing so, but it’s clearly not the real ending (it’s too soon).